【原文題目】Who Rules America?
【中文題目】誰在統治美國？
【來 源】http://www.economist.com/node/21549935
【發表日期】2012年3月10日
【原文作者】National Vanguard Books
【譯 者】大頭李
【校 對】Howard
【聲 明】譯文為原創，轉載務必注明譯者及出處“獨家網dooo.cc”。
【摘 要】時至今日，在美國沒有什么能比操縱公共意見的力量更為強大。你已經知道美國的新聞和娛樂每天都是帶著偏見的。現在告訴你：他們為什么會帶著偏見，猶太人對美國社會的影響究竟又有多大？
【譯 文】
你已經知道新聞和娛樂每天都是帶著偏見的。現在你會發現他們為什么會帶著偏見。
誰統治美國？
——National Vanguard Books研究人員
時至今日，在美國沒有什么能比操縱公共意見的力量更為強大。無論是過去的國王或者教皇，還是任何征服者或者主教，他們的權力都遠遠不及當今少數幾個控制了美國大眾新聞和娛樂媒體的人的力量。
他們的力量既非遙不可及，也不是冷冰冰的，它已經滲透進了每一個美國家庭，它在每一個清醒的時刻都發揮著作用。他們的影響從童年的早期開始貫穿我們的整個人生。這是一種塑造幾乎每一個公民精神的力量，年輕的或年老的，富有的或貧窮的，天真的或精于世故的。
在現代民主社會，誰能擁有塑造公眾意識的能力誰就擁有了真正的權力。大眾媒體為我們構造這個世界的形象，并且明示的或者暗示的告訴我們該思考些什么和怎么投票。在我們繁忙的世界里，我們知道的——或者我們以為自己知道的——關于我們周圍的人和事或者熟悉的圈子里的所有事情都是通過我們訂閱的報紙、雜志、廣播或者電視得到的。大眾媒體特別著力于影響我們對政治家們和其他外國領袖的看法。眾所周知的對奧巴馬的總統競選活動的正面報道以及同時對羅恩·保羅的競選活動報道的封殺只是媒體露骨的偏見的一個例子而已。同樣的，那些不符合美國需要的外國領袖會被描述為危險的精神病患者或者宗教狂熱分子，以便為公眾接受海外軍事干預鋪平道路。
媒體大亨們對于意識控制的手法不單是赤裸裸的對特定新聞事件報道的壓制或者對歪曲歷史的文獻片的公然宣傳。他們巧妙且徹底的管理著呈現給我們的新聞和娛樂節目。
新聞報道的方式、什么景象會被突出、哪些該被忽略、報道者的遣詞造句、語音語調、面部表情、標題的用詞以及插圖的選擇——所有這些都潛移默化地并且深刻地影響著我們如何解讀我們所看到的或聽到的。
除此之外，當然了，專欄作家和評論家們會排除掉我們腦海里殘存的質疑。通過使用精心開發的心理學工具，他們引導著我們的思維和觀念好讓我們能與時尚界、名流和精英們保持一致。他們通過將特定的人或行為嵌入到電視劇或者情景喜劇中以及讓其他的電視人物的行為符合政治正確來讓我們知道我們對于不同類型的人或行為該有何種態度。
塑造美國人的思維
例如，有數不清的電影和電視秀里跨種族的夫妻是受尊敬和喜愛的，并且為他人所效仿。黑人角色幾乎都是負責任的、成功的商人、科學家甚至總統。
同性戀都被描繪成天才和敏感的歧視受害者。非法移民則被描述為勤奮的追逐美國夢的工人。而這些人帶來的社會問題卻被忽略掉了。另一方面，一個驕傲于自己的血統、瞧不起非法移民、跨種族婚姻、大政府或者美國正在惡化的種族環境的白人，充其量會被描繪為一個可鄙的心胸狹隘的人并被其他角色唾罵，或者甚至被形容為癡迷于武器的危險的精神病人，對所有的守法公民都是一個威脅。事實上，迷戀槍支的白人種族主義者已經變成了電視秀中一個熟悉的形象。媒體報道中的所謂的“茶黨”抗稅者，基本上都是白人，經常被描繪成白人種族主義反對黑人總統及其政府而不是針對高稅收和大政府的抗議。
對于每個月平均看153個小時電視的普通美國人來說，將虛構的形象與現實區分開來變得越來越困難。對年輕人來講做這樣的區分簡直就是不可能的。很多人將電視播放的演員的行為、主張和觀點應用的自己的現實生活中。太多的美國人已經把真實世界替換成電視環境下的錯誤現實，并且急切的想要和這個錯誤的現實相協調一致。因此，當一個電視編劇通過電視角色表達對某些想法和行為的贊同而反對另外一些的時候，他會對數百萬的觀眾施加強大的壓力以迫使他們按照他的想法去作為。
新聞和電視娛樂節目一樣，無論是通過電視媒體還是平面媒體。而這種思想控制的危害之處在于，即便我們意識到了娛樂節目或者新聞是有偏見的，媒體大亨們仍然能夠設法操縱我們中的大多數。這是因為他們不僅對他們呈現的東西有傾向性，他們還對可允許的觀點的范圍建立了心照不宣的界限和基本原則。
舉個例子，想一想媒體是如何處理中東新聞的。一些編輯或者評論家的每一篇文章都充滿了對以色列不加挑揀的支持，而其他人也頂多能保持中立。但是沒有一個人敢說美國政府在阿以沖突中站錯了邊或者敢說911是由于支持以色列造成的。也沒有一個人敢說把美國軍隊派遣到以色列在中東的主要敵人但已經破敗不堪的伊拉克是為了猶太人的利益而不是美國人的利益。對伊朗核計劃的報道是另一個例子。所有的網絡媒體在某種程度上都把伊朗及其領導人說成是對世界的威脅，而不是以色列稱霸整個中東的絆腳石。
類似的，媒體在報道非法移民以及這種趨勢會最終把美國白人變為少數族群的問題上也是如此。一些媒體把非法移民看做一個積極的變化，而另一些則關注減少非法移民的斗爭，但是他們卻對于第三世界移民帶來的犯罪潮、掏空社會公共服務和文化變革集體噤聲。1965年之前，媒體幾乎一致的討伐美國的移民政策傾向于歐洲而不是其他第三世界國家。
另一個例子是媒體如何處理美國的種族問題。一些評論家在報道種族沖突時基本上是不偏不倚的，而其他人則會在情感上有所偏袒，而這種偏袒幾乎都站在非白人一方。并且毫無例外的，所有的新聞記者都把多元文化和多樣性看做是好事，而不僅僅是一個報道的話題。那些“多元化是我們的力量”的贊歌不僅在媒體上被一遍遍的播放，在學校和政府機構也是如此。沒有主流媒體會愿意去評論諸如巴爾干化、缺乏社會凝聚力、犯罪和多元文化帶來的文化替代等問題。因此，對這些問題以及其他一些問題評論中不能碰觸的紅線就劃出來了。越過紅線的評論就會被貼上“極端主義”或者甚至“種族主義”的標簽。
媒體大亨們會盡其所能的阻止越過紅線的事實和評論出現在媒體上，而確保只有他們能接受的在紅線內的觀點才能付諸公眾。
然而，由于在層次上是有差異的，多數美國人并沒有意識到他們是被操縱了。甚至那些抱怨“被操縱的新聞”的人也常常掉進這樣一個陷阱，他們常常自以為自己信任的編輯或者評論員提供給他們的意見可以讓他們擺脫操控者的影響。這其實就陷入了“正面我贏，反面你輸”的局面。通過為不滿的受眾提供“可控的反對聲音”，他們就可以讓這些受眾原理政治不正確的意見并且讓這些受眾的觀點維持在可接受的范圍內。
對于媒體的控制是全方位的。所有被控制的媒體——電視、廣播、報紙、雜志、書籍和電影——都用一個聲音說話，彼此之間互相支持。盡管看起來有所不同，但這些媒體沒有本質的差異，人民大眾也就不可能從其他渠道中獲得不同與這些媒體給出的事實和思想。人民大眾得到的都是一個聲音——強調種族平等、猶太人大屠殺的悲劇、試圖制止涌向我們的邊境的非法移民潮做法的危害、允許個人持有槍支的危害、不同性取向在道德上是平等的、多元社會比白人主導的社會好，等等。這就是媒體大亨們為了滿足自己的利益而設計的世界，他們動用了強大的力量來貫徹這一意圖。人們只能聽從這些媒體，按照媒體的教唆去投票并且改變自己的生活。
那么這些媒體大亨到底是誰呢？正如我們將要看到的，這些人大部分是猶太人。難道僅僅是媒體被逐利的資本家控制，而這些資本家中的一部分恰好是猶太人這么簡單么，當然不是。如果就那么簡單，那媒體大亨的組成比例至少應該接近富人的組成比例，而不應該是猶太人占絕對多數。因此，除了一些明顯的例外，猶太人對于媒體控制力量的強大足以讓我們相信，這不僅是一個巧合。
電子新聞和娛樂媒體
政府對媒體管制不斷放松的結果，不是讓媒體競爭變得所謂的更加激烈，而是導致各種收購和兼并的加劇并最終形成了屈指可數的幾個數十億美元規模的媒體巨頭。其中最大的一個巨頭通過消化競爭，增長的更為迅速，在整個90年代其規模增長了三倍。這導致了基本上所有美國媒體都集中到了少數幾個人手里，其中多數是猶太商人。無論什么時候你看電視，不管是當地小廣播臺還是有線或衛星電視；無論什么時候你在家或者電影院看一部電影；無論何時你收聽廣播或者音樂；無論何時你閱讀報紙、書籍或者雜志——基本上所有的信息或者娛樂都是有4個巨型媒體公司制作和發行的。
迪斯尼
沃爾特迪斯尼公司是全球最大的媒體集團，年收入接近390億美元。2005年，身為猶太人的CEO Michael Eisner經過公司股東不信任投票后辭職。沃爾特迪斯尼的侄子羅伊·迪斯尼指責Eisner把迪斯尼公司變成了一個“貪婪的、沒有靈魂”的公司。但是，Eisner的猶太人助手Robert Iger在同一年控制了公司。Iger是極端的猶太復國主義組織Aish HaTorah委員會的委員，該組織支持以色列的巴勒斯坦政策，推進猶太身份認同，并且“致力于推行猶太教義”以按
照猶太人的價值觀“完善這個世界”。
在Iger的控制下，幾個電視制作公司（沃爾特迪斯尼電視、點石電視、博維電視）和擁有超過1億訂戶的有線電視網。在電影方面，沃爾特迪斯尼電影集團擁有沃爾特迪斯尼制作公司、點石制作公司、皮克斯、好萊塢制作公司和卡拉萬制作公司。迪斯尼還擁有米拉麥克斯影業；這是一家由猶太裔的Weinstein兄弟Bob和Harvey創立的公司，這家公司制作了如哭泣游戲、圣徒和少年等超迷幻電影。兩兄弟離開2005年米拉麥克斯之后又創立了他們自己的公司Weinstein公司。他們制作了諸如無恥混蛋這樣的電影，歌頌二戰時期猶太士兵對德國犯人的酷刑和傷害。
在1984年被猶太人Eisner接管之前，迪斯尼公司由非猶太裔的迪斯尼家族運營，提倡健康的家庭娛樂。雖然它還擁有白雪公主的版權，但公司在Eisner和Iger的掌控下已經將產品大量擴展到所謂的“成年人”素材。
迪斯尼在1985年收購了ABC公司。ABC擁有十家電視臺分布在重要的城市如紐約、芝加哥、費城、洛杉磯、舊金山和休斯敦。此外，ABC在美國還有225家分支電視臺。
ESPN體育網，ABC的有線電視子公司，主席和CEO是George W. Bodenheimer，猶太人。公司還擁有迪斯尼有線、迪斯尼第二有線電視網（迪斯尼XD）、A&E、生命電視、肥皂劇網絡和歷史頻道，每一個都擁有8千6百萬到8千8百萬的訂戶。ABC家庭電視網的目標觀眾是年齡較長的青少年、年輕的成年人和年輕的家庭，擁有8千4百萬訂戶，除了播放娛樂節目（有些節目遠不適合家庭頻道播出），還播放基督教錫安主義的電視傳教士Pat Robertson的節目。
Iger接管迪斯尼后，迪斯尼開始推行一系列的兒童節目和電影鼓勵跨種族的愛情和性愛年輕化，包括公主和青蛙和美國青少年的隱秘生活。批評家們批評16歲的迪斯尼《漢娜·蒙塔納》明星Miley Cyrus在兒童票選頒獎典禮上表演的露骨的鋼管舞之后，迪斯尼的發言人斷然拒絕了這些批評并強調說所有迪斯尼的內容都“與我們一直的價值觀一致”。 雖然是一家電訊公司，ABC/迪斯尼卻在出版行業賺取超過10億美元，他們擁有沃爾特迪斯尼出版公司、Hyperion出版公司和米拉麥克斯出版公司。它還擁有6份報紙和20多份雜志。迪斯尼環球出版公司是世界最大的兒童書籍和雜志出版商，出版超過400份兒童雜志，每年銷售超過1億2千萬本兒童讀物。該公司主席是Russel Hampton二世以及猶太裔的副主席Andrew Sugerman。
在互聯網行業，迪尼斯運營著博維網絡集團、ABC網絡集團、ABC.com、ABCNEWS.com、Oscar.com、Mr. Showbiz、迪斯尼在線、迪斯尼每日沖擊波、Disney.com、Family.com、ESPN網絡集團、ESPN.sportzone.com、Soccernet.com、NFL.com、NBA.com、Infoseek以及迪斯尼互動。
新聞集團
魯伯特·默多克的新聞集團是目前全球第二大的媒體巨人，年營業額超過300億美元。新聞集團擁有眾多的電影、電視、有線電視、衛星電視、報紙和出版公司。它最大的電影公司是20世紀福克斯公司。它的電視和有線電視包括福克斯電視網、福克斯新聞、FX頻道、福克斯體育、MYNETWORKTV、ESPN星空體育和DirectTV等等。新聞集團的出版部分包括新聞有線公司、新聞國際、Harper Collins并且出版了紐約郵報和華爾街日報。在2005年，新聞集團通過旗下的福克斯互動媒體收購了流行的社交網絡MySpace。
它旗下的福克斯新聞頻道盡管被稱為美國最保守的頻道，確實其推行猶太新保守主義的重要陣地，并隱藏在伊拉克和阿富汗戰爭背后。它的節目主持人無一例外的擁抱吹捧激進猶太復國主義和多種族主義。主持人例如Bill O’Reilly、Sean Hannity、Greta Van Susteren和Glen Beck在所有的主要電視節目中灌輸親以色列、親猶太人思想。
默多克名義上是非猶太裔，但是關于他的血統有一些不確定的地方，并且他一生都在明確的支持猶太復國主義和其他猶太主張。歷史學家David Irving出版了一些從據稱是媒體高層得到的消息，稱默多克的母親Elisabeth Joy Greene是猶太人，但并不確定。
2009年默多克將其猶太裔的副手Peter Chernin替換為非猶太裔的Chase Carey。但是猶太人仍然控制著公司很多關鍵位置：管理新聞集團數字媒體（原福克斯互動媒體）的Peter Levinsohn，和福克斯新聞的CEO，狂熱猶太復國主義者Roger Ailes。Ailes是里根總統和老布什總統的顧問，因幫助他們成功競選而知名。Alies針對他對以色列的支持發聲說：“我捍衛美國、以色列和憲法”——但并沒有引起福克斯新聞管理層的注意。David Hirshey是Harper Collins的執行編輯。Thomas Rothman是福克斯電影娛樂公司的主席。William Kristol是新聞集團發行的最流行的新保守主義雜志旗幟周刊的編輯。Kristol是猶太新保守主義的主要喉舌和智囊。Kristol是新聞集團CEO默多克在伊拉克戰爭和2006年以色列對黎巴嫩戰爭態度的擁護者，Kristol把這以黎戰爭稱為“也是我們的戰爭”。他是麥凱恩競選總統時的外交政策顧問，并一直在不遺余力的支持針對伊拉克的軍事行動以保衛以色列。
維亞康姆
美國第三大媒體巨頭，是2008年營業收入超過140億的維亞康姆集團。維亞康姆的一把手Sumner Redstone是猶太人。而Melvin A. Karmazin，另一個猶太人，直到2004年一直是維亞康姆的二把手，主席和首席運營官。Karmazin仍然是維亞康姆的大股東，2004年之后轉到Sirius衛星廣播公司任CEO，并開始支持猶太人的主持人Howard Stern。取代Karmazin聯合主席和聯合首席運營官的是猶太裔的Leslie Moonves和很有可能也是猶太裔的Tom Freston。Moonves是一個堅定的猶太復國主義者，也是以色列的第一任總理David Ben-Gurion的大侄子。他還是北美Aish HaTorah的主席。他一直都是維亞康姆最大的子公司CBS的CEO。他更是直接將在廣播節目中對Rutgers女子籃球隊態度不恭敬的Don Imus炒了魷魚。
維亞康姆在美國擁有眾多的有線、無線電視臺和電影公司包括CBS、MTV、VH1、Nickelodeon、BET、Comedy Central、派拉蒙營業、夢工廠、Spike和許多其他的。維亞康姆為三個最大的電視網制作和放送電視節目，直接控制39家電視臺并有在其全資擁有的CBS電視網下有200個分支機構，旗下的無限廣播集團有185家電臺，CBS廣播網絡有超過1500家分支電臺。維亞康姆最大的電影公司是夢工廠的所有人派拉蒙影業，其CEO是Brad Grey，猶太人。
在Redstone的統治下，MTV和VH1不斷地將一系列的跨種族和同性戀約會秀推向極限，包括由重罪犯和吸毒的說唱歌手（William Jonathan Drayton, Jr.）參加的“奇怪的愛”和“愛的滋味”，還有Tila Tequila參加的由男性和女性參賽者一起競爭一個雙性戀明星感情的“愛的機會”。MTV占據著12到24歲年齡段的電視收視市場，它將種族混搭的搖滾和說唱錄像放送到140個國家的3億4千2百萬家庭，并且對全球的白人青少年在文化上影響力巨大。
維亞康姆還擁有鄉村音樂電視有線頻道，該頻道可以讓Redstone通過MTV和VH1的節目向傳統的白人基督教觀眾灌輸猶太價值觀。過去5年他已經將頻道的重點從鄉村音樂轉向流行音樂。他還制作了一系列真人秀節目，如我的大型鄉巴佬婚禮，主持人是猶太裔明星Tom Arnold，還有鄉巴佬的夢想，將白人基督教農民描繪成有種族主義的鄉巴佬。該頻道明顯和性有關的內容也在不斷增加，如達拉斯的牛仔和拉拉隊長：組成團隊，草原狼終極搜索。
作為BET的老板，Redstone還向黑人觀眾灌輸黑幫說唱、嘻哈音樂和性喜劇節目。盡管在2005年任命了黑人女CEO Debra L. Lee，但大多數黑人都不知道的是，BET是完全由猶太人運營的網絡，僅僅有少數幾個黑人在管理層，和少數幾個黑人主持人而已。
維亞康姆的影響力也延伸到了廣告和出版業。它是美國最大的戶外廣告商。維亞康姆的出版機構包括Simon & Schuster, Scribner, The Free Press, Fireside, 和 Archway Paperbacks。它通過旗下超過8000家Blockbuster商店銷售錄影帶。它還參與衛星廣播、主體公園和游戲行業。
Nickelodeon有超過8千7百萬訂戶，擁有美國最多的4-11歲觀眾，并且正快速擴張至歐洲。雖然它的大多數節目并不像MTV那樣公然的宣揚墮落文化，但Redstone卻潛移默化的通過諸如True Jackson VP和其他節目像它的兒童觀眾推銷和MTV一樣的垃圾文化（毒藥）。
時代華納
盡管過去五年最高管理層發生了地震，時代華納-前身是美國在線時代華納，任然是世界上第四大的媒體巨頭，年收接近470億美元。時代華納運營著電影、電視、網絡服務、書籍出版和電訊業。華納在上世紀初由猶太裔的華納兄弟創立并快速成長為好萊塢猶太力量的一部分，連猶太作家們都公開承認這一點。
它的子公司包括CNN、HBO、動畫網絡、DC Comics、華納兄弟游戲、Boomerang、Kid’s WB、新干線影院、城堡石娛樂、時代集團、CW電視網、美國在線、華納兄弟娛樂、CW4Kids、成人游泳、漢娜-芭芭拉、Ruby-Spears制造和電視制作（）。時代華納有許多最知名的的媒體品牌包括哈利波特和指環王系列以及人物雜志。
經過幾年虧損后，猶太裔CEO Gerald Levin被黑人CEO Richard Parsons取代，盡管他是嫻熟的談判專家，但并不能讓時代華納在網絡服務上占據先機。
他在2009年被非猶太裔的德國后裔Jeffrey L. Bewkes所取代。Bewkes在HBO曾將欲望都市和Oz這樣的電視劇搬向銀幕。雖然是非猶太裔，但Bewkes確實猶太復國主義的堅定支持者。2001年Bewkes被美國猶太人委員會授予Sherrill C. Corwin人類關系獎，并且還是猶太理事會負責外交關系的董事會成員。Bewkes領導的猶太人為主的董事會成員包括前世界銀行總裁Jessica Einhorn，以及Reuben Mark、和Ken Novack。董事會成員、前媒體巨頭Axel Springer AG CEO德國人Mathias Dopfner還保有美國猶太人委員會榮譽席位，他自詡為“非猶太人的猶太復國主義者”。
時代華納的子公司也主要被猶太裔高管控制著。DC動畫被猶太人主席Paul Levits控制。華納兄弟娛樂公司的CEO是猶太人Barry M. Meyer。而他的副手Jeff Robinov也是猶太人。華納兄弟電視集團的主席Bruce Rosenblum也是猶太人。Meyer則直接監督著新干線影院，新干線制作了“哈羅德卡瑪逃離關塔那摩灣”和“德州電鋸殺人狂”系列。新干線影院由猶太人組成的管理層營運著，包括CEO Robert Shaye、CFO Stephen Abramson、新干線家庭影院主席Stephen Einhorn、新干線電視主席Jim Rosenthal、商務和法律事務高級執行副主席Ben Zinkin以及其他人。猶太人也負責CNN在美國的運行。2010年9月Ken Jautz取代Jonathan Klein為猶太人Scot Safron掌管頭條新聞網鋪平了道路。
時代華納讓4Kids娛樂的猶太裔CEO Alfred Kahn與CBS合作推出CWKids周六早間動畫版塊。這個版塊包括忍者神龜、游戲王和其他節目等。Kahn一直由于在兒童節目中增加太多暴力內容而受到詬病。父母電視理事會認為華納兄弟的兒童節目有“最多的攻擊性語言、污言穢語、性內容和攻擊/下流的語言。”
隨著利潤下降，時代華納的管理層投票決定擺脫掉AOL。在非猶太裔CEO Tim Armstrong的指揮下，曾經在美國領先的互聯網服務提供商AOL將準備回收在互聯網和多媒體市場上的份額。
時代集團是美國最大的雜志發行商，也是歐洲主要的發行商之一。時代控制著數個成功的子公司使其業務延伸到電視、有線電視點播、衛星廣播和移動設備。一半的美國人看過時代集團出版的雜志，包括每月有4000萬讀者的人物雜志和體育畫報、生命、時代、財富和其他上百份雜志。
2005年，猶太裔主編Norman Pearlstine離開時代集團，成為猶太人擁有的新的媒體公司彭博社的首席內容官。他在時代的位置由John Huey取代。Huey的猶太血緣還沒有完全確認。
CNN環球的猶太裔執行副主席Scot Safron管理著頭條新聞網集團。CEO Ann Moore任命IPC媒體總裁，猶太人Sylvia Auten女士為執行副主席。Auten女士是1938年移民從德國移民過來的奧地利猶太人的女兒。IPC媒體是英國最大的雜志發行商。三分之二的英國女性和幾乎一半的男性讀過她出版的雜志。
2007年1月，時代雜志將旗下18分雜志出售給Bonnier雜志集團，包括戶外生活、流行科學、田園和小溪以及養育雜志。Bonnier集團在收購了MTV芬蘭后，被芬蘭記者Markko Juutinen形容為“猶太復國主義者Bonnier家族王朝的政治上、意識形態上和嚴密的組織機構，并且與統治北美大眾媒體的力量同宗同源。”
時代集團互動公司運營著公司網站和相關數字業務。非猶太裔Ned Desmond領導這一部門。前任時代集團互動公司執行官Jodi Kahn和Meg Siesfeld都是猶太人，已經離開公司嘗試其他投資機會了。Kahn現在是有著一系列針對年輕男女網站的媒體公司iVillage網絡的執行副主席。
2004年時代華納將旗下的音樂部門華納音樂集團（WMG）賣給猶太富翁Edgar Bronfman Jr.。Bronfman的父親是世界猶太人大會的前主席，該組織在全球每年花費數百萬美元用于給“反猶太大屠殺”定罪方面是全球最大的猶太人組織。收購WMG之后，Edgar Bronfman立刻任命以色列軍隊將軍的孫子Lyor Cohen為CEO。Cohen是謀殺唱片公司的創始人，是推廣“幫匪說唱”和嘻哈音樂的先鋒，而這種音樂的歌詞公然的鼓動年輕黑人男性對白人、警察和婦女施加暴力。在Cohen的領導下，WMG簽下了如Jay Z, Marilyn Manson, Seal, Kid Rock, Missy Elliott, Sean “P-Diddy” Combs, gangsta-rappers Boyz n da Hood等歌手。
Bronfman過去幾年在互聯網音樂市場上積極的攻城略地。由于Youtube的用戶免費上傳WMG的音樂而沒有支付任何的版稅，Bronfman要求youtube屏蔽或者撤掉WMG有版權的內容。2009年晚些時候，Youtube同意了Bronfman的要求。作為允許其音樂回到Youtube的條件，WMG將有權在用戶上傳的內容上添加廣告并且創建它自己的Youtube頻道包含“優質”內容，這一舉動讓很多活躍用戶離開了Youtube。同樣的，Bronfman還抱怨新一代的音樂游戲比如“搖滾樂團”沒有給WMG足夠的費用。“付給音樂產業的錢，即便這些游戲與我們擁有和控制的內容完全獨立，但仍然太少。”“我們不會給這些游戲許可。”
掌握了4大媒體巨頭中的三個（迪斯尼、維亞康姆和新聞集團），并且在時代華納的管理層占據大多數，猶太人已經完成了對美國媒體巨頭的近乎完全控制。這種蔓延的霸權，達到這種程度的控制不可能完全是巧合。如果沒有整體的策略和強烈的種族優越感驅使使得猶太人互相幫扶并排擠異族，猶太人就不可能在媒體行業占據遠超過其人口比例的影響。現在美國的主流媒體幾乎已經處于完全壟斷的狀態下。
【原 文】
You already know that the news and
entertainment media are biased. Now you
will find out why they are biased.
Who Rules America?
by the research staff of National Vanguard Books
THERE IS NO GREATER POWER in the world today than that wielded by the manipulators of public opinion in America. No king or pope of old, no conquering general or high priest ever disposed of a power even remotely approaching that of the few dozen men who control America’s mass media of news and entertainment.
Their power is not distant and impersonal; it reaches into every home in America, and it works its will during nearly every waking hour. Their influence begins in early childhood and continues throughout our lives. It is the power that shapes and molds the mind of virtually every citizen, young or old, rich or poor, simple or sophisticated!
In a modern democracy the people with the ability to mold public opinion are the ones who hold the real power. The mass media form our image of the world and then tell us, both explicitly and implicitly, what to think and how to vote. In our busy world, everything we know—or think we know—about events and people outside our own neighborhood or circle of acquaintances comes to us via our daily newspaper, our weekly news magazine, our radio, or our television. The mass media has particular influence on how we view our politicians and other world leaders. The universally positive media coverage of the Obama presidential campaign and simultaneous near media blackout of Ron Paul’s campaign is just one example of blatant media bias. Similarly, world leaders who fail to comply with U.S. demands are portrayed as dangerous psychopaths or religious fanatics, paving the way for public acceptance of military intervention
overseas.
It is not just the heavy-handed suppression of certain news stories from our newspapers or the blatant propagandizing of history-distorting TV “docudramas” that characterizes the opinion-manipulating techniques of the media masters. They exercise both subtlety and thoroughness in their management of the news and the entertainment that they present to us.
The way in which the news is covered, which items are emphasized and which are played down, the reporter’s choice of words, tone of voice, and facial expressions, the wording of headlines; the choice of illustrations—all of these things subliminally and yet profoundly affect the way in which we interpret what we see or hear.
On top of this, of course, the columnists and editors remove any remaining doubt from our minds as to just what we are to think about it all. Employing carefully developed psychological techniques, they guide our thought and opinion so that we can be in tune with the “in” crowd, the “beautiful people,” the “smart money.” They let us know exactly what our attitudes should be toward various types of people and behavior by placing those people or that behavior in the context of a TV drama or situation comedy and having the other TV characters react in the Politically Correct way.
Molding American Minds
For example, there are countless films and television shows where a racially mixed couple will be respected, liked, and socially sought after by other characters. Black characters are nearly universally characterized as “take charge” individuals-judges, successful businessmen, scientists and even the President. Homosexuals are characterized as talented and sensitive victims of discrimination.
Illegal aliens are portrayed as hard workers, pursuing “the American Dream.” At the same time their vastly disproportional contribution to our nation’s crime problem and the social problems they create are virtually ignored. On the other hand, a White person
who has pride in his or her heritage, looks down on illegal immigration, miscegenation, big government or the rapidly darkening racial situation in America is portrayed, at best, as a despicable bigot who is reviled by the other characters, or, at worst, as a dangerous psychopath who is fascinated by firearms and is a menace to all law-abiding citizens. The White racist “gun nut,” in fact, has become a familiar stereotype on TV shows. The media coverage of the so-called “Tea Party” tax
protestors, who are almost universally White, is often portrayed not as protests against high taxes or big government, but as an expression of White racism against a Black president and his administration.
To the average American, who watches approximately 153 hours of TV every month, distinguishing between these fictional portrayals and reality becomes increasingly difficult. For young people making this distinction can be nearly impossible. Many people respond to the televised actions, statements, and attitudes of TV actors much as he does to his own peers in real life. For all too many Americans the real world has been replaced by the false reality of the TV environment, and it is to this false reality that his urge to conform
responds. Thus, when a TV scriptwriter expresses approval of some ideas and actions through the TV characters for which he is writing, and disapproval of others, he exerts powerful pressure on millions of viewers toward conformity with his own views.
And as it is with TV entertainment, so it is also with the news, whether televised or printed. The insidious thing about this form of thought control is that even when we realize that entertainment or news is biased, the media masters still are able to manipulate most of us. This is because they not only slant what they present, but also they establish tacit boundaries and ground rules for the permissible spectrum of opinion. Television viewers are presented with the illusion of diversity of opinion among the major news networks, when in reality, for all the issues that really matter, the news networks all speak with one voice. For example, networks like CNN or MSNBC are considered more “liberal,” while “conservatives” prefer the FOX News network. Yet these networks, and others, all tow the media party line when it comes to the major issues facing our nation and our people.
For example, consider the media treatment of Middle East news. Some editors or commentators are slavishly pro-Israel in their every utterance, while others seem nearly neutral. No one, however, dares suggest that the U.S. government is backing the wrong side in the Arab-Jewish conflict, or that 9-11 was a result of that support. Nor does anyone dare suggest that it served Jewish interests, rather than American interests, to send U.S. forces to cripple Iraq, Israel’s principal rival in the Middle East. The coverage of Iran’s nuclear program is another example. All the networks, to some degree or another, portray Iran and its leader as a danger to the world, rather than a barrier to Israeli supremacy over the entire Middle East.
Similarly, the networks vary somewhat in their coverage of illegal immigration and the eventual displacement of White Americans into minority status. Some networks embrace the browning of America as a positive change while others focus on the fight to limit illegal immigration, yet they are virtually silent on the massive crime wave, drain on social services, and cultural change brought by Third World immigration. Similarly, there is universal condemnation of U.S. immigration policy before 1965, which favored European immigrants over those from the Third World
Another example is the media treatment of racial issues in the United States. Some commentators seem almost dispassionate in reporting news of racial strife, while others are emotionally partisan—with the partisanship always on the non-White side. All of the media spokesmen without exception, however, take the position that “multiculturalism” and “diversity” are not only here to stay but that they are good things. The mantra “Diversity is our Strength” is echoed over and over not only in our media, but in our schools and government institutions. No mainstream media outlet is willing to comment on the balkanization, lack of social cohesion, crime, and displacement brought about by multiculturalism. Thus, a spectrum of permissible opinion on these issues and others is established.
Opinions falling outside this spectrum are labeled as “extreme” or even “racist.” Every point on the permissible spectrum of public opinion is acceptable to the media masters—and no impermissible fact or viewpoint is allowed any exposure at all, if they can prevent it.
Because there are differences in degree, however, most Americans fail to realize that they are being manipulated. Even the citizen who complains about “managed news” falls into the trap of thinking that because he is presented with an apparent spectrum of opinion he can escape the thought controllers’ influence by believing the editor or commentator of his choice. It’s a “heads I win, tails you lose” situation. By providing a “controlled opposition” for discontent citizens, they are able to steer them clear of Politically Incorrect opinions and keep their views within acceptable boundaries.
The control of the opinion-molding media is nearly monolithic. All of the controlled media—television, radio, newspapers, magazines, books, motion pictures—speak with a single voice, each reinforcing the other. Despite the appearance of variety, there is no real dissent, no alternative source of facts or ideas accessible to the great mass of people that might allow them to form opinions at odds with those of the media masters. They are presented with a single view of the world—a world in which every voice proclaims the equality of the races, the inerrant nature of the Jewish “Holocaust” tale, the wickedness of attempting to halt the flood of illegal aliens pouring across our borders, the danger of permitting citizens to keep and bear arms, the moral equivalence of all sexual orientations, and the desirability of a “pluralistic,” cosmopolitan society rather than a homogeneous, White one. It is a view of the world designed by the media masters to suit their own ends, and the pressure to conform to that view is overwhelming. People adapt their opinions to it, vote in accord with it, and shape their lives to fit it.
And who are these all-powerful masters of the media? As we shall see, to a very large extent they are Jews. It isn’t simply a matter of the media being controlled by profit-hungry capitalists, some of whom happen to be Jews. If that were the case, the ethnicity of the media masters would reflect, at least approximately, the ratio of rich Gentiles to rich Jews. However, despite a few prominent exceptions, the preponderance of Jews in the media is so overwhelming that we are obliged to assume that it is due to more than mere happenstance.
Electronic News and Entertainment Media
Continuing government deregulation of the telecommunications industry has resulted, not in the touted increase of competition, but rather in an accelerating wave of corporate mergers and acquisitions that have produced a handful of multi-billion-dollar media conglomerates.
The largest of these conglomerates are rapidly growing even bigger by consuming their competition, almost tripling in size during the 1990s. This has placed virtually all of the American media in the hands of a very small number of mostly Jewish businessmen. Whenever you watch television, whether from a small local broadcasting station or via cable or a satellite dish; whenever you see a feature film in a theater or at home; whenever you listen to the radio or to recorded music; whenever you read a newspaper, book, or magazine—it is very likely that the information or entertainment you receive was produced and/or distributed by one of these four mega-media companies:
Disney
The Walt Disney Company is the world’s largest media conglomerate with annual revenue approaching $39 billion. In 2005 its Jewish CEO Michael Eisner resigned from Disney after a no-confidence vote by Disney shareholders. Eisner had been accused by Roy Disney, Walt Disney’s nephew, of turning the Walt Disney Company into a “rapacious, soul-less” company. In his place, however, Eisner’s Jewish assistant
Robert Iger assumed control of the company in 2005. Iger is a committee member of Aish HaTorah, an orthodox, Zionist group that encourages Israeli settlement in Palestinian territories, promotes Jewish identity, and which is “committed to promoting universal Jewish precepts, foremost among them, perfecting the world” in accord with Jewish values.
Directly under Iger’s control are several television production companies (Walt Disney Television, Touchstone Television, Buena Vista Television) and cable networks with more than 100 million subscribers altogether. As for feature films, the Walt Disney Motion Pictures Group includes Walt Disney Pictures, Touchstone Pictures, Pixar, Hollywood Pictures, and Caravan Pictures. Disney also owns Miramax Films, founded by the Jewish Weinstein brothers, Bob and Harvey, who have produced such ultra-raunchy movies as The Crying Game, Priest, and Kids. The Weinstein brothers left Miramax in 2005 to form their own company known simply as The Weinstein Company. Since then they have produced films like Inglorious Basterds, which glorifies the torture and mutilation of German prisoners by Jewish soldiers during
WW2.
When the Disney Company was run by the Gentile Disney family prior to its Jewish takeover by Eisner in 1984, it epitomized wholesome family entertainment. While it still holds the rights to Snow White, the company under Eisner and now Iger has expanded into the production of a great deal of so- called “adult” material.
Disney acquired Capital Cities/ABC, Inc. in 1985, which owns the ABC television network, which in turn owns ten TV stations outright in such big markets as New York, Chicago, Philadelphia, Los Angeles, San Francisco, and Houston. In addition, in the United States ABC has 225 affiliated TV stations.
Sports network ESPN, an ABC cable subsidiary, is headed by president and CEO George W. Bodenheimer, who is a Jew. The corporation also controls the Disney Channel, Toon Disney (now Disney XD), A&E, Lifetime Television, SOAPnet, and the History Channel, with between 86 and 88 million subscribers each. The ABC Family television network, which targets older teens, young adults, and young families has 84 million subscribers and, in addition to broadcasting entertainment (some of it quite raunchy for a family channel), is also the network outlet for Christian Zionist TV evangelist Pat Robertson.
Since Iger’s takeover of Disney, the company has pushed a number of children’s programs and movies encouraging interracial relationships and teen sexuality including The Princess and the Frog, and The Secret Life of the American Teenager. After critics complained about a raunchy pole dancing performance by 16-year-old Disney Hannah Montana star Miley Cyrus at the Kid’s Choice Awards, for example, Disney spokesmen rebuffed their criticism and commented that all Disney content is “...consistent with what our brand values are."Although primarily a telecommunications company, ABC/Disney earns over $1 billion in publishing, owning Walt Disney Company Book Publishing, Hyperion Books, and Miramax Books. It also owns six daily newspapers and publishes over 20 magazines. Disney Publishing Worldwide, the world's largest publisher of children’s books and magazines, publishes over 400 children's magazines and sells over 120 million children's books each year. Disney Publishing Worldwide is headed by president Russell Hampton, Jr, and Jewish senior vice-president Andrew Sugerman.
On the Internet, Disney runs Buena Vista Internet Group, ABC Internet Group, ABC.com,
ABCNEWS.com, Oscar.com, Mr. Showbiz, Disney Online, Disney’s Daily Blast, Disney.com, Family.com, ESPN Internet Group, ESPN.sportzone.com, Soccernet.com, NFL.com, NBA.com, Infoseek (partial ownership), and Disney Interactive.
News Corporation
Rupert Murdoch’s News Corporation is currently the world’s second largest media conglomerate with annual revenue exceeding $30 billion.
News Corporation owns a number of film, television, cable, satellite TV, newspaper, and publishing companies. Its largest film studio is Twentieth Century Fox. Its television and cable companies include Fox Television Network, Fox News, the FX Channel, Fox Sports, MyNetworkTV, ESPN Star Sports, and DirectTV among others. News Corporations publishing arm includes News Limited, News International, Harper Collins, and publishes the New York Post and the Wall Street Journal. In 2005 News Corporation, through its Fox Interactive Media subsidiary, acquired the popular social networking site MySpace.
Its Fox News Channel, despite its reputation for America-first conservatism, has been a key outlet pushing the Jewish neo-conservative agenda that lies behind wars in Iraq and Afghanistan. Its program hosts almost universally embrace and endorse aggressive Zionism and multiracialism. Hosts such as Bill O’Reilly, Sean Hannity, Greta Van Susteren, and Glen Beck have all pushed the slavishly pro-Israel, pro-Jewish agenda required of all major television personalities.
Murdoch is nominally a Gentile, but there is some uncertainty about his ancestry and he has vigorously supported Zionism and other Jewish causes throughout his life. Historian David Irving has published information from a claimed high-level media source who says that Murdoch’s mother, Elisabeth Joy Greene, was Jewish, but this has not been confirmed.
In 2009 Murdoch replaced his Jewish second in command, Peter Chernin, with a Gentile Chase Carey. Under Carey, however, Jews hold key positions in the company: News Corporation Digital Media (formerly Fox Interactive Media) is run by Peter Levinsohn, and the CEO of Fox News is ardent Zionist Roger Ailes. Ailes was a former advisor to Ronald Reagan and George Bush, Sr. and is widely credited for their successful campaigns. Ailes has been vocal in his support for Israel saying,“I defend the United States, Israel and the Constitution”—a fact not lost on Fox News executives. David Hirshey is the executive editor of Harper Collins. Thomas Rothman is chairman of Fox Filmed Entertainment. William Kristol is the editor of one of the most popular neo-conservative journals, The Weekly Standard, published by News
Corporation. Kristol is a leading Jewish neocon spokesman and “intellectual.” Kristol has been a News corporation CEO Rupert Murdochvery vocal advocate of the Iraq War as well as Israel’s 2006 war in Lebanon which he referred to as “our war too.” He served as John McCain’s foreign policy advisor during his failed presidential campaign and continues to vigorously push for military action against Iran in defense of Israel.
Viacom
The nation’s third largest media conglomerate, with 2008 revenues of just over $14 billion, is Viacom, Inc. Viacom is headed by Sumner Redstone (born Murray Rothstein), a Jew. Melvin A. Karmazin, another Jew, was number two at Viacom until June 2004, holding the office of president and chief operating officer. Karmazin remains a large Viacom shareholder but has since moved on to become CEO of Sirius Satellite Radio where he has been a vocal supporter of Jewish shock jock Howard Stern. Replacing Karmazin as co-presidents and co-COOs are a Jew, Leslie Moonves, and Tom Freston, a possible Jew. Moonves is a staunch Zionist and is the great-nephew of David Ben-Gurion, the first Prime Minister of Israel. Moonves is also North American Chairman of Aish HaTorah. He continues to be president and CEO of CBS, one of Viacom’s largest subsidiaries. Moonves was directly responsible for the firing of Don Imus after the radio host made unflattering comments about the Rutgers women’s basketball team.
Viacom owns many of the cable, television, and film companies in the United States including CBS, MTV, VH1, Nickelodeon, BET, Comedy Central, Paramount Pictures, Dreamworks, Spike, and many others. Viacom produces and distributes TV programs for the three largest networks, owns 39 television stations outright with another 200 affiliates in its wholly-owned CBS Television Network, owns 185 radio stations in its Infinity radio group, and has over 1,500 affiliated stations through its CBS Radio Network. Viacom’s largest film studio is Paramount pictures, owner of Dreamworks, which is headed by Jewish CEO Brad Grey.
Under Redstone’s ownership MTV and VH1 have continued to push the limits of degeneracy with the airing of a number of new reality interracial and homosexual dating shows including Strange Love and Flavor of Love, featuring convicted felon and former drug addict rapper Flavor Flav (William Jonathan Drayton, Jr.) as well as A Shot at Love with Tila Tequila in which both male and female contestants compete for the affections of the bisexual star. MTV dominates the television market for viewers between the ages of 12 and 24 and pumps MTV’s racially- mixed rock and rap videos into 342 million homes in 140 countries and is a dominant cultural influence on White teenagers around the world.
Viacom also owns the Country Music Television cable channel which has allowed Redstone to ply a traditionally White, Christian audience with the same Jewish values he has displayed on MTV and VH1. Over the past five years he has shifted the channel’s focus to pop music and away from traditional country music. He has also introduced a number of reality shows, such as My Big Redneck Wedding hosted by Jewish star Tom Arnold, and Redneck Dreams that reinforce stereotypes of rural White Christians as racist rednecks. The overtly sexual content of the channel has increased as well with shows such as Dallas Viacom CEO Sumner Redstone (born Murray Rothstein) Cowboys Cheerleaders: Making the Team, The Ultimate Coyote Ugly Search, and others.
As owner of BET, Redstone has also pushed a steady diet of gangsta rap, hip-hop, and sexual comedy programing onto Black audiences as well. Despite the appointment of Black female CEO Debra L. Lee in 2005, and unbeknownst to most Blacks, BET is a thoroughly Jewish-run network with only a token number of high profile Black executives and show hosts.
Viacom’s influence also extends into the advertising and publishing business. It is the largest outdoor advertising (billboards, etc.) entity in the U.S. Viacom’s publishing division includes Simon & Schuster, Scribner, The Free Press, Fireside, and Archway Paperbacks.
It distributes videos through its over 8,000 Blockbuster stores. It is also involved in satellite broadcasting, theme parks, and video games.
Nickelodeon, with over 87 million subscribers, has by far the largest share of the four-to-eleven year-old TV audience in America and is expanding rapidly into Europe. Most of its shows do not yet display the blatant degeneracy that is MTV’s trademark, but Redstone is gradually nudging the fare presented to his kiddie viewers toward the same poison purveyed by MTV with shows like True Jackson VP and others.
Time Warner
Despite shakeups in its top level management over the past five years, Time Warner, formerly known as AOL-Time Warner, remains the fourth largest media conglomerate in the world with an average annual revenue approaching 47 billion dollars. Time Warner runs major operations in film, television, Internet services, book publishing, and telecommunications. Warner was founded by the Jewish Warner Brothers in the early part of the last century and rapidly became part of the Jewish power base in Hollywood, a fact so well-known that it is openly admitted by Jewish authors.
Among its subsidiaries are CNN, HBO, Cartoon Network, DC Comics, Warner Bros. Games, Boomerang, Kid’s WB, New Line Cinema, Castle Rock Entertainment, Time, Inc., CW Television Network, AOL, Warner Bros. Entertainment, The CW4Kids, Adult Swim, Hanna-Barbera, Ruby-Spears Productions, and Telepictures (the producers of The Ellen Degeneres Show and The Rosie O'Donnell CEO of Warner Bros. Entertainment Barry M. Meyer Sylivia Auten CEO of IPC and Time, Inc executive vice president Show). Time Warner owns many of the best known brands in media including the Harry Potter and Lord of the Rings series as well as People magazine.
After several years of falling profits, Jewish CEO Gerald Levin was replaced with Black CEO Richard Parsons. Parsons, despite his reputation as a skillful negotiator, was unable to boost Time Warner’s standing particularly in the field of Internet services. He was replaced in January 2009 by a Gentile of Dutch descent, Jeffrey L. Bewkes. Bewkes, while at HBO, was responsible for bringing shows such as Sex and the City and Oz to millions of television viewers. Despite being a Gentile, Bewkes has been a strong supporter of Zionist
interests. In 2001 he was awarded the Sherrill C. Corwin Human Relations Award from the American Jewish Committee and sits on the Board of Directors of the heavily Jewish Council on Foreign Relations. Bewkes heads a heavily Jewish board of directors including Jessica Einhorn, former managing director of the World Bank, Reuben Mark, and Ken Novack. Board member Mathias Dopfner, the German CEO of media giant Axel Springer AG, holds an honorary seat on the American Jewish Committee and he describes himself as a “non-Jewish Zionist.”
Time Warner’s subsidiaries also remain heavily dominated by Jewish executives. DC Comics is headed by Jewish president Paul Levitz.
Warner Bros. Entertainment is headed by Jewish CEO Barry M. Meyer. His executive vice president Jeff Robinov is also Jewish as is the president of Warner Bros. Television Group, Bruce Rosenblum. Mr. Meyer has direct oversight over New Line Cinema, which has produced films such as Harold & Kumar Escape from Guantanamo Bay and the Texas Chainsaw Massacre series. New Line Cinema is run by a host of Jewish executives including CEO Robert Shaye, chief financial officer Stephen Abramson, Stephen Einhorn, president of New Line Home Video, Jim Rosenthal, president of New Line Television, Ben Zinkin, senior executive vice-president of business and legal affairs, and many others. The Jewish head of CNN’s U.S. operations, Jonathan Klein was replaced in September 2010 with Ken Jautz. This paved the way for Jewish executive Scot Safron to assume management of the Headline News network.
Time Warner teamed with Jewish CEO of 4Kids Entertainment Alfred Kahn and CBS to produce the CWKids Saturday morning cartoon block. This block includes Teenage Mutant Ninja Turtles, Yu-Gi-Oh! and others. Kahn has been criticized for popularizing increasingly violent children’s cartoons. The Parent’s Television Council has commented that children’s programming from Warner Bros. has “the highest levels of offensive language, verbal abuse, sexual content and offensive/excretory references.”
With its profits declining, executives at Time Warner elected to spin off AOL into its own company in 2009. Under the guidance of gentile CEO Tim Armstrong, AOL, formerly the leading Internet service provider in the U.S., will try to reclaim its share of the Internet and multimedia market.
Time, Inc. is the largest magazine publisher in the U.S. and one of the leading publishers in Europe. Time controls several successful subsidiaries that extend its reach into television, cable video on demand, satellite radio, and mobile devices. Half of all Americans read magazines owned by Time, Inc., including People, which is read by over 40 million people monthly, and Sports Illustrated, Life, Time, Fortune, and over one hundred others.
In 2005 Jewish editor-in-chief Norman Pearlstine left Time, Inc. to become chief content officer at another Jewish-owned news media company, Bloomberg. He has since been replaced by John Huey. Huey’s Jewish roots have not been confirmed. Time, Jewish executive vice president for CNN Worldwide Scot Safron manages the Headline News network.Inc. CEO Ann Moore appointed a Jewess, Sylvia Auten, the chief executive of IPC Media, to the position of executive vice president. Ms. Auton is the daughter of Austrian Jews who emigrated from Germany in 1938. IPC Media is the largest magazine publisher in Great Britain. Its magazines are read by more than two-thirds of England’s women and almost half of its men.
In January 2007, Time-Magazine sold 18 magazines to the Jewish-owned Bonnier Magazine Group including Outdoor Life, Popular Science, Field & Stream, and Parenting Magazine. The Bonnier Group, after its acquisition of MTV Finland, was described by Finnish journalist Markko Juutinen as “...a political, ideological and immensely secretive organizational branch of the Zionist Bonnier family dynasty, who are the same force of kindred spirits which own and rule the mass media in North America.”
Time, Inc. Interactive runs the companies Web sites and related digital efforts. Ned Desmond, a Gentile, heads this division. Former Time, Inc. Interactive executives Jodi Kahn and Meg Siesfeld both Jews, have left the company to pursue other ventures. Kahn is now the Executive Vice President of iVillage Networks, a media company owning a variety of Web sites targeting young girls and women.
In 2004 Time Warner sold its music division, Warner Music Group (WMG), to Jewish multimillionaire Edgar Bronfman Jr. Bronfman’s father is former president of the World Jewish Congress, the world’s largest Jewish organization which has spent millions of dollars worldwide to criminalize “Holocaust denial.” Upon acquiring WMG, Edgar Bronfman immediately hired fellow Jew Lyor Cohen, the grandson of an Israeli army general, as CEO of Warner Music Group. Cohen, the founder of Murder, Inc. Records, is best known as a pioneer in the promotion of “gansta-rap” and hip-hop music, a genre of music whose graphic lyrics explicitly urge young Black males to commit acts of violence against Whites, police officers, and women. Under Cohen’s leadership WMG has signed artists such as Jay Z, Marilyn Manson, Seal, Kid Rock, Missy Elliott, Sean “P-Diddy” Combs, gangsta-rappers Boyz n da Hood, and many others.
Bronfman has aggressively pushed for a greater share of the Internet music market in the past few years. Angered over the fact that users of YouTube, Jewish executives Edgar Bronfman Jr. and Lyor Cohen are two of the largest producers and distributors of hip-hop and gangsta-rap music.where uploading content featuring WMG music without paying royalties, Bronfman required YouTube to block or remove all WMG copyrighted content. In late 2009 YouTube relented to Bronfman’s demands. In exchange for allowing its music back on YouTube, WMG will have the right to sell ads on user generated content and create its own YouTube channel consisting of “premium” content, a move that has further alienated many of YouTubes regular users. Similarly, Bronfman has complained that the new generation of music video games like “Rock Band” is not paying him enough for using WMG-owned music. "The amount being paid to the music industry, even though [these] games are entirely dependent on the content we own and control, is far too small," and he concluded that, "we will not license to those games."
With three of the top four media conglomerates in the hands of Jews (Disney, Viacom, and News Corporation), and with Jews filling a large proportion of the top executive jobs at Time Warner, Jewish domination of the nation’s most powerful media giants is nearly complete.
With such rampant Jewish hegemony, it is unlikely that such an overwhelming degree of control came about by mere chance. If there were not a cohesive group strategy and ethnocentric drive among Jews to promote each other and exclude non-Jews, then one would expect their numbers in the media industry to reflect those found in the general population. Instead what we find is a near total monopoly of the
major media outlets in the United States.Other media companies
相關文章
「 支持烏有之鄉！」
烏有之鄉 WYZXWK.COM
您的打賞將用于網站日常運行與維護。
幫助我們辦好網站，宣傳紅色文化！
歡迎掃描下方二維碼，訂閱烏有之鄉網刊微信公眾號
